Yu Huoxing
Research areas:
Aesthetics, art theory and comparative study between Chinese art history and Western art history, oil painting
Education:
1978 – 1982 Philosophy Department, Nanjing University, China. B.A. 1982
1986 –1989 Philosophy Department, Beijing University, China. M.A. 1989
1992 – 1995 Art History Department, Ohio State University, USA. Ph.D. candidate
1995 – 1999 Columbus College of Art and Design. Study landscape painting (oil)
Employment:
2002 – present Assistant (2002) Associate (2003)Professor, Southeast University
1999 – 2002 Professional Artist, Ohio, USA
1989 – 1992 Assistant Professor, Beijing University
1982 – 1986 teacher, Tianjin Collage of Administration, Nanjing University
Publications:
Books
Translation of the book - Stephen Melville, Version and textuality (Jiangsu Fine Art Press, 2009)
Articles
“The Method of Iconology in Western Art Research” -Hundred Schools in Arts 2012.3
“From Heinrich Wolfflin to Clive Bell – Approach of Formalism in the Research of Modern Western Art”– Journal of Nanjing Arts Institute2012.2
“Plowing and weaving (collected by US Library of Congress) and its Art Characteristics”–ART magazine 2011. 5
“The Marxism Approach in Western Art Research” Journal of Southeast University 2012.2
“An Explore on the Structure of Southern Song Dynasty Landscape Painting” – Art Research, 2007. 8
“The Moral Concept of Confucius and Traditional Chinese Figure Painting” – Journal of Chinese Fine Art, first issue, 2007
“An Explore on the Structure of Northern Song Dynasty Landscape Painting” – Art, volume 3, issue 4. 2007
“An Analysis on the Scroll of Eight-seven Celestial Beings and the Painting of Taoist Celestial Beings Worshiping Lao Zi” – Journal of Southeast University – Philosophy and Social Science, 2006, 5
“The Confucius Concept “harmony”and the Criteria of Traditional Chinese Painting” – Art, Volume 3, issue 2. 2006
“Theoretical Source of Advocating Artists’ Moral Character in traditional Chinese Painting” - Journal of Southeast University – Philosophy and Social Science, 2004, 6
“A Different Interpretation On Shi Tao’s Watching Waterfall on Mountain Lu” – Art Research, 2004, 3
“The Art of Modern Portrait Painting in USA” - Jiangsu Pictorial Journal, 2003.5.
Presentation
“The Influence of Confucius on Chinese Painting” – National Conference on the Construction of Discipline of Art History, Yunnan, China, 2005
A reflection on Western Modern Art theory – International Symposium: Art and Art History in the Context of Globalization, Shanghai, China, 2006
A Dialogue Between West and East - National Conference on the Construction of Discipline of Art History, Nanjing, China, 2007.
Contact Information:
Department of Art Media
College of Art, Southeast University, China
email: yuhuoxing66@gmail.com
Aesthetics, art theory and comparative study between Chinese art history and Western art history, oil painting
Education:
1978 – 1982 Philosophy Department, Nanjing University, China. B.A. 1982
1986 –1989 Philosophy Department, Beijing University, China. M.A. 1989
1992 – 1995 Art History Department, Ohio State University, USA. Ph.D. candidate
1995 – 1999 Columbus College of Art and Design. Study landscape painting (oil)
Employment:
2002 – present Assistant (2002) Associate (2003)Professor, Southeast University
1999 – 2002 Professional Artist, Ohio, USA
1989 – 1992 Assistant Professor, Beijing University
1982 – 1986 teacher, Tianjin Collage of Administration, Nanjing University
Publications:
Books
Translation of the book - Stephen Melville, Version and textuality (Jiangsu Fine Art Press, 2009)
Articles
“The Method of Iconology in Western Art Research” -Hundred Schools in Arts 2012.3
“From Heinrich Wolfflin to Clive Bell – Approach of Formalism in the Research of Modern Western Art”– Journal of Nanjing Arts Institute2012.2
“Plowing and weaving (collected by US Library of Congress) and its Art Characteristics”–ART magazine 2011. 5
“The Marxism Approach in Western Art Research” Journal of Southeast University 2012.2
“An Explore on the Structure of Southern Song Dynasty Landscape Painting” – Art Research, 2007. 8
“The Moral Concept of Confucius and Traditional Chinese Figure Painting” – Journal of Chinese Fine Art, first issue, 2007
“An Explore on the Structure of Northern Song Dynasty Landscape Painting” – Art, volume 3, issue 4. 2007
“An Analysis on the Scroll of Eight-seven Celestial Beings and the Painting of Taoist Celestial Beings Worshiping Lao Zi” – Journal of Southeast University – Philosophy and Social Science, 2006, 5
“The Confucius Concept “harmony”and the Criteria of Traditional Chinese Painting” – Art, Volume 3, issue 2. 2006
“Theoretical Source of Advocating Artists’ Moral Character in traditional Chinese Painting” - Journal of Southeast University – Philosophy and Social Science, 2004, 6
“A Different Interpretation On Shi Tao’s Watching Waterfall on Mountain Lu” – Art Research, 2004, 3
“The Art of Modern Portrait Painting in USA” - Jiangsu Pictorial Journal, 2003.5.
Presentation
“The Influence of Confucius on Chinese Painting” – National Conference on the Construction of Discipline of Art History, Yunnan, China, 2005
A reflection on Western Modern Art theory – International Symposium: Art and Art History in the Context of Globalization, Shanghai, China, 2006
A Dialogue Between West and East - National Conference on the Construction of Discipline of Art History, Nanjing, China, 2007.
Contact Information:
Department of Art Media
College of Art, Southeast University, China
email: yuhuoxing66@gmail.com